by Jack Miessner September 25, 2025
Singer-songwriter Brian Fate, formerly Brian Berggoetz, currently resides in Tucson. Brian Fate once heard a smart man say, “We’re only here to become masters of our own fate.” In one of his own songs, the songwriter himself mused, “We’re only here to find that we already have the answer inside.”
So when the artist, who formerly went by Brian Berggoetz, decided to rebrand, “Fate” struck him as a suitable name to match his songwriting philosophy.“I try to put the big picture of life into each song, and not small pictures,” said Fate, whose latest EP, “The End,” is out now. “And life and love have a lot to do with fate.”
That, and, according to the artist, a lot of the good names were taken. Fate has always been focused on the big picture. When the Indiana-born artist was younger, he spent his time “just searching for the truth.” He began writing songs inspired in large part by the music of Bruce Springsteen, and is wholly self taught in the ways of guitar, harmonica, singing and songwriting.
Looking to get out of the Hoosier State, Fate blew into Tucson, where his sisters lived, in 1986. After seeing how “different” the desert was, and appreciating the sunshine over the bitter Midwestern cold, he stuck around. He was just beginning when he came out to Arizona, in the midst of a divorce and finally figuring out a health issue that had troubled him for 40 years.
“I was like, ‘you know what? I’ll take a shot of this thing,’” Fate said. “And ever since, everything’s been going great. It just keeps getting better.”“There’s a lot of desert in my music now.”
“The End” is Fate’s third studio endeavor. The record began as a collection of loose singles, until he penned the title track. In the atmospheric, reverb-steeped love song, Fate sings, “Real life will bring you to the end.” According to the musician, this tune connected all the dots, and brought all of the songs together.“All of a sudden, everything made sense,” Fate said. “So we went ahead and put it all into an EP.”
Like the lyric suggests, each track in the EP is meant to take the listener to the end — the end of a relationship, the end of a lifecycle, the end of the world. “There’s a lot of endings here,” Fate said. “But with the song ‘The End,’ we see that every beginning comes from another end. So it all ties together in that way.”
Fate writes songs that he wishes he was hearing, but isn’t. The musician tries to challenge himself with each project, pulling from a deep bag of influences not limited to blues, folk, Americana and rock. Right now, he is listening to John Mayer, Ryan Adams and Chris Stapleton, acts whom the singer-songwriter looks up to for their songwriting prowess.
But the record refuses to be pinned down to a genre. “Breaking Blue” is an honest blues-country song, while the new, symphonic version of “Wildflower,” featuring co-singer Alison Wahl’s emotive soprano harmonies, is reminiscent of 1970s folk and ’90s Disney films. “It’s Gonna Rain” combines chorus guitars and Fate’s trademark smokiness with a toe-tapping rock ’n’ roll chorus. The traditional strings on “Waltz for the End of the World,” a track that Wahl wrote, could draw a jig out of even the least Irish of listeners — the singer takes on a carpe diem approach to endings, imploring us to “Eat that last taco, have one more merlot, cuz there’s only one way for this story to go.”
Wahl first joined Fate on the second record “Magical Times,” an addition that “really amped things up,” Fate said. Otherwise, the recording process has remained the same across the three releases. He’s worked with the same guitarist, and the same producer, Duncan Stitt, who also plays the keyboards on the works.
Along with the EP, Fate also released a cover of Elvis Presley’s “Heartbreak Hotel.” It’s the latest of several reimaginings, all of which are done in the songwriter’s distinctive style. His technique entails stripping the song down to its lyrics, and forgetting everything else.“I don’t take the melody or the music,” Fate explained. “I just start over: Sit with it, play with it, and see what feels good.”
For “Heartbreak Hotel,” the musician began with an arrangement that just wasn’t quite right. But after sitting with the song for a while, he finally figured out what worked. “You know when it’s there. It’s a great feeling when you know a song is finished, it’s just amazing.”
Outside of his music career, Fate enjoys his other work, which allows him to travel around Arizona and Southwestern New Mexico, meeting new people in new places up to six days a week. He spends Sunday afternoons barbecuing with his sister and her children. And of course, he plays a lot of live shows around Tucson, where he has cemented himself as a linchpin in the local music scene.
Catch Brian Fate at Brother John’s Beer on Sept. 27. On Oct. 7, Fate and his bandmates will perform at an EP release party for “The End.” The event will take place at Monterey Court, where the band often plays, and attendees can expect to hear music from all three records.
“Christmas Is The Right Time For Us” by Alison Wahl and Brian Berggoetz is a captivating exploration of love and reflection set against the backdrop of the holiday season. The song, delivered in a delightful duet style, weaves a narrative that is both somber and heartwarming, offering a refreshing take on Christmas music.
What sets this track apart is its ability to capture the essence of mature love. Alison Wahl’s classical influences, evident in her background as a touring classical vocalist, blend seamlessly with Brian Berggoetz’s contemporary inspirations, creating a musical tapestry that is both sophisticated and emotionally resonant. The lush arrangement, featuring keys, strings, and acoustic guitar, contributes txo the cozy and melodic atmosphere of the song. The lyrics tell the story of a couple deeply in love during the Christmas season, prompting reflection on why such profound emotions are often reserved for this time of year. The adult tone of the song introduces a unique perspective to the holiday music genre, offering a more nuanced and relatable narrative.
Recorded in Tucson, AZ, at A Writers’ Room studio, the song benefits from the collaborative efforts of Duncan Stitt, the producer and keyboard player, and Frank Filipo, who adds his skillful touch on lead guitar. The synergy among the artists results in a track that is not only musically rich but also emotionally evocative. Amidst the festive cheer of Christmas songs, “Christmas Is The Right Time For Us” stands out as a thoughtful and introspective piece. The artists’ ability to infuse the song with sincerity and depth, coupled with their individual musical journeys, contributes to a composition that transcends the typical holiday fare. As Alison and Brian pose the question, “Why don’t we live every day like this?” the song becomes an invitation to cherish the warmth, love, and introspection it offers, not just during the holiday season but throughout the entire year.
The ever so talented Brian Berggoetz is not just an artist. He is a person with a unique background story and someone who has been passionate about making great music for decades now. Brian is a singer and songwriter with a very rich musical history and a fascinating background. He has inspired many younger listeners, craving that old school sound and that nostalgic retro feel, inspired by the best vintage rock and Americana. He is back on the scene with yet another brand new release: “Wildflower.” This album songs is particularly amazing, because it has a perfect combination of exciting hooks, beautiful sonic aesthetics and a great arrangement. The song begins with a melodic introduction, allowing the mood to set in. Soon after, the verses fall in, establishing the song’s structure and dynamic energy. During the choruses, this is exactly when the songs reaches its emotional and intensity apex. Brian’s vocals are as intense and passionate as ever, show casing his deep penchant for an authentic storyteller act, and sending positive vibes to the audience.
Brian focuses on creating edgy songs, with a love for different influences. Over all “Wildflower”, is a combination of country, Americana, and even rock, making for a unique and highly rewarding combination of styles that keep the attention span of the listener high. With every songs, it seems that this artist is setting the bar higher in terms of performance and production alike. Brian spoiled us with his charming and beautiful retro arrangements, but this time he has developed and even more defined tone. In other words, today’s music can be a little bit shallow, and it might lack substance.
There are not many songs that have an actual storyline or characters that you can relate to as well as a deeper meaning to connect with. By contrast, but really stands out about Brian’s music is most definitely the fact that he puts a lot of thought into creating something that will entice and engage listeners. His music is excellent in terms of production, but also in terms of lyrics writing. This is definitely the case with this particular album as well because everything is extremely well-produced, and there are so many incredible details making the songs really special. His music feels kind of timeless.
“Wildflower” is a lively collection of 12 songs, Combining his skillful musician ship with compelling arrangements and crafty compositions, this collection will lift you up and be a perfect accompaniment for any road trip. Whether you are a fan of old-school folk-rock or contemporary music, Americana style Brian’s records are going to be great for you! There is genuinely no constraint to the creativity and vision of this fantastic artist, and he is on a roll, consistently releasing amazing songs and building his growing fan-base.